Hardcopy Release, Kindle Countdown Deals, and an Amazon Gift Card

I’m a little late writing this, but better late than never right?!

VJA Blog Banner

This is our Vintage Jane Austen blog week. What does that mean? Well, the title of the post kind of says it all, but to clarify:

  1. The Vintage Jane Austen collection is now available in paperback. This is my first print edition in about 10 years, so I’m pretty excited.
  2. The Kindle editions of the Vintage Jane Austen novels are on sale all this week. So, if you are a committed Kindle user, this is your week!
  3. A lot of bloggers out there have joined in with the celebrating and through their sites we will be giving out a $25 Amazon gift card. See below for a list of the bloggers you can visit this week for reviews, interviews, and chances to enter.

November 5
Review of Emmeline – Once Upon the Ordinary
Review of Bellevere House – Kaylee’s Kind Of Writes
Series Spotlight – A Real Writer’s Life
Interview with Kelsey Bryant – Resting Life
Series Spotlight – Kelsey’s Notebook

November 6
Interview with Sarah Holman – J. Grace Pennington
Review of Emmeline – Kaylee’s Kind Of Writes
Mini-Reviews and interview with Sarah Scheele – Deborah O’Carroll
Interview with Rebekah Jones – Livy Lynn Blog
Review Suit and Suitability – Resting Life

November 7
Interview with Kelsey Bryant – J. Grace Pennington
Review of Perception – Kaylee’s Kind Of Writes
Review and Interview of Perception – Purely by Faith Reviews
Review of Second Impressions – The Page Dreamer
Series Spotlight – Finding the True Fairytale

November 8
Interview and Review Suit and Suitability – Once Upon the Ordinary
Review of Suit and Suitability – Kaylee’s Kind Of Writes
Review of Perception – A Brighter Destiny

November 9
Series Spotlight – God’s Peculiar Treasure
Review of Second Impressions and Suit and Suitability – Ordinary Girl, Extraordinary Father
Interview with Rebekah Jones – Kaylee’s Kind Of Writes
Series Spotlight – Christian Bookshelf Reviews

November 10
Review of Suit and Suitability – With a Joyful Noise
Series Spotlight – Liv K. Fisher
Review of Second Impressions- Kaylee’s Kind Of Writes
Review of Perception – She Hearts Fiction
Interview with Sarah Holman – Rebekah Ashleigh

November 11
Series Spotlight – Reveries Reviews
Review of Suit and Suitability – Faith Blum
Interview with Sarah Holman – Kaylee’s Kind Of Writes
Interview with Hannah Scheele – Peculiar on Purpose
Review of Bellevere House – Seasons of Humility

New here and not sure what the Vintage Jane Austen Series is?

What would it be like to see Elizabeth Bennet in 1930’s clothes? What if Emma Woodhouse was the daughter of a car dealership owner? What if Marianne Dashwood was seeking to become a movie star in the golden age of film? The Vintage Jane Austen series explores the world of Jane Austen, set in 1930’s America. Five authors took on Jane Austen’s five most popular novels and retold them set in the depression era, remaining faithful to the original plots. As an extra bonus to the series, there is a collection of short stories that were inspired by Jane Austen. Which of these books do you most want to read?

Emmeline by Sarah Holman (Emma): The talk of stock market crashes and depression isn’t going to keep Emmeline Wellington down. Born to wealth and privilege, Emmeline wants nothing more than to help her new friend, Catarina, find a husband. Emmeline sets her sights on one of the town’s most eligible bachelors, but nothing seems to go right. Even her friend and neighbor Fredrick Knight seems to question her at every turn.

Suit and Suitability by Kelsey Bryant (Sense and Sensibility): Canton, Ohio, 1935. Ellen and Marion Dashiell’s world crumbles when their father is sent to prison. Forced to relocate to a small town, what is left of their family faces a new reality where survival overshadows dreams. Sensible Ellen, struggling to hold the family together, is parted from the man she’s just learning to love, while headstrong Marion fears she will never be the actress she aspires to be. When a dashing hero enters the scene, things only grow more complicated. But could a third man hold the key to the restoration and happiness of the Dashiell family?

Bellevere House by Sarah Scheele (Mansfield Park): It’s March, 1937 and Faye Powell couldn’t be happier. After moving to live with her uncle, a wealthy banker, she’s fallen into the swing of life with his exuberant children–including Ed. The one she’ll never admit she’s in love with. But she hadn’t reckoned on the swanky Carters getting mixed up in that vow. Ed seems to be falling for charming, sweet Helene Carter. And when Faye’s cousin BeBe trusts her with a secret about Horace Carter, Faye is in over her head. Will she betray the confidence BeBe’s given her? Will she lose Ed to Helene? The days at Bellevere House are crowded with surprises and only time will tell how God plans to unravel Faye and Ed’s hearts.

Perception by Emily Benedict (Persuasion): Upstate New York, 1930. Thirteen years ago, Abbey Evans was persuaded to break off her engagement to a penniless soldier headed to the front lines of the Great War. A daughter of one of America’s wealthiest families could never be allowed to marry so far beneath herself. But Black Tuesday changed everything. With her family’s prominence now little more than a facade, Abbey faces the loss of her childhood home. As if that weren’t enough, the only man she ever loved has returned after making his fortune – and he wants nothing to do with the young woman he courted before the war. With the past forever out of reach, the time has come for Abbey decide her own fate, before it is too late…

Presumption and Partiality by Rebekah Jones (Pride and Prejudice): Coming soon…A retelling of Jane Austen’s Pride and Prejudice… set in 1930s Arizona.

Second Impressions: Jane Austen’s stories have inspired writers for generations…in this collection they inspire fiction across the genres! From the English Regency to the American 1950s, in Houston or a space freighter, fairytale land or a retirement center…Austen’s timeless characters come to life again.

Thanks for stopping by!

Calling All Bloggers! (Especially those who like free books)

Happy Monday everyone! This is a shout-out to any of my blogger friends and followers who would like to help us announce the hardcopy release of the Vintage Jane Austen project…in exchange for lots of free eBooks!

The five-volume series will be released in paperback during the first week of November, and we’re looking for bloggers to help us get the word out! In return, we’re offering free downloads of the entire series in PDF or Kindle formats, as well as two additional free eBooks: Distorted Glass by Sarah Holman, and The Father Christmas Confessionsthe first book in my Father Christmas series. We’re also offering grand prizes to your blog readers, including a $25 Amazon gift card, free eBooks, and Kindle Countdown Deals.

CLICK HERE to sign up and let us know how you would like to be involved. We have several different options!

Free books available below!

Author Rebekah Jones – The Vintage Jane Austen Project

Author Rebekah Jones has been a bit of a hero to the Vintage Jane Austen project. Rebekah-Author-Picture-2017-200x300Another author originally signed up to pen a new spin on Pride and Prejudice, but bowed out several months later. We couldn’t have a Jane Austen series without Pride and Prejudice! Thankfully, Rebekah, who already has five books to her name, graciously stepped in and took on the project, even though she was several months behind. We are all very excited about the forthcoming Presumption and Partiality and I’m so glad she could join us here today!

How did you get involved in the Vintage Jane Austen Project?

Sarah Holman wrote me, asking if I would be interested in rewriting Pride and Prejudice in the 1930’s for the Vintage Jane Austen Collection. I wasn’t sure at first – in a lot of ways, it would be a new challenge in writing for me – but the idea struck me as being a fascinating experience and a lot of fun, so I said that I would.

How big of a Jane Austen fan are you?

Moderate? I own all of her books and I’ve seen multiple versions of most of the novels put to film. (Even Lawrence Olivier and Greer Garson doing their Victorian Era version of Pride and Prejudice and Bollywood making the same story an Indian style musical!) I don’t obsess over Jane Austen in any way, although I’m determined to have a Regency wardrobe one of these days. I admire her literary skill, enjoy her characters (Fanny Price has always been my favorite), and enjoy pulling Biblical principles from her stories.

RebekahIs there a reason you choose Pride and Prejudice to translate into the 1930s?

Actually, I didn’t choose it. Pride and Prejudice was the only novel left in the collection that wasn’t already being written. When Sarah asked me to join the group, she specifically asked if I would write Pride and Prejudice. Honestly, it was the most perfect one for me to write! Despite Mansfield Park being my favorite, I know Pride and Prejudice backwards, forwards, and topsy-turvy, since it’s the one I’ve seen and read the most.

How well do you think Pride and Prejudice translates to the Great Depression?

Oh, it depends. Some parts translate so perfectly, that it’s fascinating. Others have to be changed and I need to get creative. The underlying characters and the motivation for their actions are, for the most part, so timeless that sometimes all I have to do is come up with a different outplay of those motives. Perhaps the biggest difference is that Jane Austen’s Regency England was affluent and even the poor shown are fairly well off, whereas my Great Depression Arizona is already suffering the ravages of poverty and suffering. 

What kind of research did you do to prepare yourself?

Lots and lots of books. I read up on Arizona in the entire decade of the 1930’s for weeks. Then, when I decided on writing in the years 1932-1933, I started looking for materials that were more specific to those years. I did some on the ground research exploring, since I chose to use real towns, instead of fictional ones. Then, I read some more, looked up as many pictures as I could find of Gilbert, Phoenix, and Scottsdale in the 1930’s, and read even more. I also read a few fiction books, trying to get a feel for dialogue, as well as pulling out some old movies. Possibly one of the more fun resources I found were the records of the Weather Bureau for the area that I was focusing on, in my exact years. Those proved fascinating and very helpful.

Did you stick pretty closely to the source material, or did you find ways to deviate and/or add new scenes?

I think, at its core, Presumption and Partiality has remained close to the source material, but I certainly found scenes to add, as well as a surprise twist or two. The poverty of the Great Depression has influenced some of those changes, since as I said earlier, it made a huge impact on my research. Further, as my general writing motto is “Bible Centered, Modern Literature” I wanted to be able to show the Biblical motivations or answers to some of the circumstances and people in the book, which has made this an interesting journey.

What did you find most challenging about this project?

Honestly? Writing the actual words has been the most challenging part of this project. Especially, writing while trying not to compare myself to Jane Austen. Writing this book has been a major challenge. A good one, but still a major challenge.

What other books do you have on the market?

I have five other books on the market. My novels: Grandmother’s Letters a treasure hunt mystery, Journeys of Four a tale of mystery and redemption, and 24 Days Before Christmas a Christmas murder mystery with each chapter being written as a day in December leading up to Christmas Day. I also have two children’s books, A Year with the Potters a collection of short stories about a homeschooling family and A Tale of the Say’s Phoebe a story of a mother bird telling her young how she learned to fly.

Thanks again, Rebekah, for joining this project and joining us today!
Please check out Rebekah’s books and blog at rebekahsquill.com.

A Little Help For My Independent Author Friends.

An independent author juggles a lot. We write, edit, design, host websites, blog, do promotions, and generally try to find as many ways as possible to connect with our readers. We are used to this, but often times what we have on our plates is enough to deal with. That is why, when it came to the Vintage Jane Austen Project, we, as group of authors who already handled plenty with the books we have individually on the market, decided to hire someone to help with the design of the project and promotion.

Fortunately…we had Deborah.

The first thing Deborah O’Carroll did for us was design in this amazing website. (screen shot below) Not only is the design beautiful, clean, and very functional, it was so nice not to have to design it ourselves! Deborah also helps us by doing promotional posts and keeps us in contact with our readers by managing the Vintage Jane Austen email. I know a lot of independent authors could use some help, so below is an interview I did with Deborah.

Screen Shot 2017-08-06 at 1.35.36 PM

Tell us a little about yourself and how you got into helping indie authors with their novels.

I’m a writer of fantasy of all kinds, a blogger, punctuation enthusiast, and list addict. I love all things Celtic, Faerie, and Tolkien, and believe that Diana Wynne Jones books are gold. You can usually find me typing away at one of my many novels, endlessly rearranging my bookshelves, or haunting library book-sales. I’m secretly a chocolate-loving otter.

How I got started was almost accidental! One thing led to another and all that… I started out in small ways, doing things I liked for people I knew, and slowly began to realize there are certain things I enjoy doing, have developed a talent for, and can turn into a job to help others.

pagedreamerbuttonnewI started out reviewing a few books by some authors I had met, and I discovered I love reviewing books. I beta-read unpublished books by fellow writer friends, and discovered that I love catching typos and have a knack for editing. (I don’t beta-read much anymore because it’s so time-consuming and I’m not much of a critic, but my love for editing has remained.) I started out blogging because I enjoyed it and wanted to build an online presence as a writer, and eventually started getting asked questions about how to do this or that on WordPress. I helped a few people with that, and designed the Vintage Jane Austen website, which, along with my years of blogging, led to the realization that I love designing blogs and websites.

Mostly, I know a lot of people in the online writing and bookish community, and I just love helping people. I guess that’s the main thing behind all of this. :)

What services do you offer authors in search of some help?

Briefly: I edit books, review books, and dabble in graphic design and web design. To expand on each of those a little:

I review books, honestly but kindly, in exchange for a free copy. (My book blog is here. https://thepagedreamer.wordpress.com/)

I offer a freelance copy-editing service (essentially catching typos and smoothing wording and the like).

I also do web design with WordPress—my main project in that area so far has been the Vintage Jane Austen website. Involved with the web-designing, I do some basic graphic design as well, such as making 3D images of book covers and so on.

What does the process of working with an author look like?

Hmm, tough question. It mostly involves a lot of emailing… There can sometimes be a lot of patience involved as well, on both sides, while things work to fall into place. Reviews are pretty straightforward—talk with the author a couple times, review their book, send them the links. Editing is a little more in-depth, and I’ll usually talk back and forth a few times. With web-design, there’s a lot of discussion and examples, previews, and ideas of theirs and suggestions on my part. On the whole, I’ve had a delightful experience with authors so far, and it’s been fun seeing these projects come to their conclusion. :)

 What is your favorite part of this job? 

I’ve always loved words and am something of a perfectionist, so I’m passionate about blogbuttonroadridding the world of typos and other errors, and love helping to make books the best they can be. I’m also a lifetime reader, so getting to review books is a dream, and I love being able to share with the world about the books I’ve found to love. I enjoy reading and am more of a book-lover than a book-critic, so while I’m honest in my reviews, I often find more to love in a book than to dislike, and I think that’s important—to share the beauty in books, not just the errors or things one doesn’t like. I also love creating, and the feeling of surmounting the obstacles of design, finally ending up with a finished product (like a website) which is clean, beautiful, and complete.

But most of all, across all three of these “jobs,” I love helping other writers bring their dreams to light, and in that way, somehow, making the world that much brighter.

How can an author get in touch with you if she/he would like to talk about your services?

Shoot me an email at deborahocarroll(at)yahoo.com—I don’t bite! :) You can also find me on my blog, The Road of a Writer: deborahocarroll.wordpress.com, and on my review blog, The Page Dreamer: thepagedreamer.wordpress.com, where I (naturally!) review books. ;) I love making friends with fellow writers and readers, so I’d love to hear from y’all!

treeiconnew

Meet An Indie Author Cover Designer

When I went 100% independent author, I decided to design my own covers. I have Hannah_BioPhotoPhotoshop and a creative background, so it didn’t seem too daunting…albeit very time consuming. But when I got involved with the Vintage Jane Austen Project, we all agreed we needed to have an outside source handle the covers. All five books needed to feel cohesive. This series might have been authored by five different writers, but that didn’t mean we wanted five different cover styles!

We floated the idea of “Jane Austen in the 1930s” to several cover designers and asked them to give us an idea of how they would translate the concept visually. Enter, Hannah Scheele, who was head and shoulders above the other samples we received. Below are the five covers she came up with for us, which I think are perfect both for the series and the Historical Romance market. So, I decided to do a little interview with Hannah to talk about the process.

Final Jane 1930 CoverHow did you get into book cover design?

I started out designing covers for my sister’s books. Those projects were big learning experiences and I loved every minute of working on them. It was then I discovered how fun and challenging graphic design can be, and also how rewarding.

What does the process of collaborating with an author look like?

It really depends on the author. Some authors are very particular and some are more flexible. Every time, though, I find the author has a specific vision of what the cover should be like and I need to figure out how to take what they’re describing and translate it to myself so I come up with something that works. I think of it as like being a hair stylist— your job is to make everything pretty, and you have to communicate with each person as an individual. What works for one will not necessarily work for another.

Was there an inspiration behind the Vintage Jane Austen covers?Sarah S.

Not really a specific one. I just wanted to create a look that would appeal to the growing number of people who get excited about the Vintage era— romantic, but not too escapist.

Do you keep an eye on book covers currently on the market, or do you just go with what you think will suit the book best?

Every story is different, but I am influenced by book covers on the market. I feel I’m going to produce a better result if I’m open to other people’s good ideas. Never limit yourself to just your own ideas or you will stop learning and improving!

Rebekah Are you currently accepting new authors who might need a cover designer? And if so, how can the get in touch with you?

Anyone who is interested in reaching out to me can contact me at my email HannahScheele(at)gmail.com.

Thanks for hanging out with us today, Hannah!!

Kelsey  EmmalineCover_Final

 

Author Sarah Scheele – The Vintage Jane Austen Project

If you have read my blog for any length of time, this is not the first time you’ve met sscheele2-216x300author Sarah Scheele. Although we have never met in person, Sarah and I have been long time friends, with a particularly strong writing bond. She is actually the one who invited me to the Vintage Jane Austen project. A Texas native, Sarah has been a writer since childhood and has several books available. Her unique twist on Mansfield Part, now titled Bellevere House, will definitely delight Austen Fans.

How did you get involved in the Vintage Jane Austen Project?

My sister Hannah created the project along with Sarah Holman, who I knew on Facebook. At that time Hannah was massively involved and when Sarah extended an invitation to me, I felt it was right to accept because this project was a big deal in our house. So, a family thing.

How big of a Jane Austen fan are you?

Well, my mother was probably the biggest Janeite on the planet. She didn’t dress up in Regency gowns, but otherwise it was total saturation—movies, characters, everything. I’ve been around it a long time and in a sense I hope that doesn’t show because there’s a freshness that comes with being a spontaneous fan. But in another way it goes pretty deep. When a relative asked what to get me for Christmas in my teens, my mom was quick to jump in and suggest Jane Austen, of course. So I had lots of book copies as well, and I read them—more or less.

Sarah S.Is there a reason you choose Mansfield Park to translate into the 1930s?

Three books were already assigned when I was invited to join. Besides Mansfield Park, the remaining books were Persuasion and Pride and Prejudice. I didn’t feel equal to Persuasion and I’ve never been interested in Pride and Prejudice. So Mansfield Park was the obvious only remaining option and I took it.

How well do you think Mansfield Park translates to the Great Depression?

Remarkably well, actually. Mansfield Park has the most dramatic separation between the haves and have-nots of any Austen novel and the Great Depression made it easy to find parallels. So the money dynamic translated really well and of course the characters are universal.

What kind of research did you do to prepare yourself?

At first I had an angle with the developing war in Europe, but after I removed that it was just a matter of double-checking the details: verifying long-distance telephone connections, researching train travel, finding the names of old glassware. I did some googling on the history of New York, which was absolutely fascinating. And I was lucky there is one kind of orange that makes in the summer, because I was able to keep the Florida orange-grove set. I was happy about that because it’s a good set, I feel, and just fun.

Did you stick pretty closely to the source material, or did you find ways to deviate and/or add new scenes?

I did attempt a bit of cosmetic work because it’s a difficult book. Not that I’d say I really improved on a classic. I’m not that inordinate. But given the opportunity, I did change things around here and there. The long childhood areas with Fanny got cut, Mr. Rushworth got a new twist, and I will admit I threw Edmund out the window in favor of something snarkier and more modern. With appalling results, I’m sure.

What did you find most challenging about this project?

Fitting into a concept created by someone else. I’m a fantasy author, so the whole idea was pretty much—I wouldn’t say out of my comfort zone. More out of my dimension altogether. It was a challenge conforming to all the little regulations of the project and getting interested in the 1930s. Communication was irregular over the years, too, and it was hard to give input because, like I said, it wasn’t my concept. But I hoped my familiarity with Jane Austen would balance all of that and I believe it did, in the end.

What other books do you have on the market?

I have a children’s science fiction novel, a historical story set in 1700s Spain, and a number of fantasy stories floating around somewhere on Amazon. They don’t have any connection to this project.

A big thanks to Sarah for joining me today, and for inviting me to this project in the first place. Visit Sarah’s website to read her blog and keep up on her work: sarahscheele.com
And don’t forget to visit VintageJaneAusten.com to learn more about all the books available in this series.

 

Author Kelsey Bryant – The Vintage Jane Austen Project

Today we have author Kelsey Bryant who took on Sense and Sensibility for the Vintage kelsey1Jane Austen Series and gave us the delightful Suite and Suitability. It’s been great getting to know Kelsey, who is probably Eleanor Dashwood’s biggest fan. In addition to the Vintage Jane Austen Project, she has written for several magazines, blogs, and has two contemporary novels on the market.

How did you get involved in the Vintage Jane Austen Project?

One day, Hannah Scheele and Sarah Holman were talking and somehow formed the scheme for the Vintage Jane Austen Project. Knowing me well, they asked if I wanted to write one of the books. I have hardly ever felt more excited to say yes!

How big of a Jane Austen fan are you?

A very big one, but not the sort who eats, sleeps, and breathes her. I haven’t made a fan website, nor can I quote from her novels very accurately. She is one of my two favorite authors, however, so although I know she’s not a perfect writer, I still feel a little defensive every time she’s criticized. I think I’ve read everything she’s written that’s been published. I own a fair collection of Austen memorabilia and I traveled on an England tour three years ago that was themed around Regency costumes. I sewed my own dress (a first) for it and participated in the Jane Austen Festival Promenade in Bath, England, and it was one of the best days of my life . . . so, yes, I suppose I am a pretty thick Janeite, aren’t I?

KelseyIs there a reason you chose Sense and Sensibility to translate into the 1930s?

Sense and Sensibility is my favorite Austen novel, and one of my favorite novels in general. I adored the idea of writing my own version of it because I’m extremely fond of all the characters and their dynamics, especially Elinor and Marianne Dashwood and Edward Ferrars. Elinor is my favorite fictional character in all of literature.

How well do you think Sense and Sensibility translates to the Great Depression?

Very well indeed. I had no problems with it. Elinor became Ellen Dashiell, a precise, hard-working secretary; Marianne became Marion Dashiell, an aspiring singer/actress; all the other characters translated fluently as well. The Dashwoods’ money troubles fit into the Great Depression, as did the issues of class and suitable marriage partners. I was surprised and delighted with how seamlessly it could be adapted.

What kind of research did you do to prepare yourself?

Because I wanted a Midwestern industrial town, I settled on Canton, Ohio, and researched its status in the 1930s. My favorite book on the subject is The Secret Gift by Ted Gup, a fascinating, nostalgic true story that anyone might enjoy reading, not just those who are researching the time period. I visited Canton to do onsite research and look for answers to questions I couldn’t find from afar. I also read books about the decade in general. Then I pursued the other special areas of interest that my story possessed – Broadway, Hollywood, New York, industry, et cetera – as I began to write. Watching period movies and reading fiction of the era was certainly a fun way to get a feel for it.

Did you stick pretty closely to the source material, or did you find ways to deviate and/or add new scenes?

I deviated while keeping true to the spirit and skeleton of the original. My brain needed the stimulation of creating slight differences in the story, not just remaking the original with new hair and clothes. I left out some characters and introduced new ones that better served my version. I changed the family relationships of some of the characters: for example, Sir John Middleton and his mother-in-law, Mrs. Jennings, became the married couple Melvin and Jennie Maddox, who were relatives of Mr. Dashiell’s in my version, not Mrs. Dashwood’s, as in the original. I also added a few twists to further change it up and make it more fun for me to write and more unexpected for readers. The biggest, perhaps, was keeping Mr. Dashiell alive but in prison instead of killing him off like Mr. Dashwood.

What did you find most challenging about this project?

Well, besides the normal frustrations of tying up all the threads and actually weaving Suit and Suitability into a cohesive, satisfying novel, I would say Marion’s character was the most challenging. Which is quite appropriate, as she is the most challenging person that her family knows, too. I wanted her to be liked by at least some readers, but I also didn’t want to diminish her personality. Writing her was a tricky balancing act. Also, some of her interests, such as the way Broadway worked in the 1930s, were rather difficult to ferret out details for accurate portrayal. But she and I made it through okay, and I love her as much as I love Ellen, even if I still don’t relate to her as well.

What other books do you have on the market? Currently, two novels targeted for homeschool girls – Family Reunion and England Adventure, books one and two of the Six Cousins series.

Thanks, Kelsey, for joining us today! Check out Kelsey’s website kelseybryanauthor.weebly.com to learn more about her writing! And for more information on the complete Vintage Jane Austen Series, visit vintagejaneausten.com.

Author Sarah Holman – The Vintage Jane Austen Project

I’m happy today to be interviewing Sarah Holman today, author of the first book in the Vintagesarahholman2-202x300 Jane Austen Series, Emmeline (Emma), as well several other novels and short stories. Sarah also runs the blog Homeschooled Authors which helps to promote independent authors with a homeschool background. One of the originator of the project, she is passionate about writing, literature, and, of course, Emma.

How did you get involved in the Vintage Jane Austen Project?

I was talking with a friend about a fairytale short story collection. We liked the concept, but wanted something other than fairytales. She mentioned Jane Austen and that was all I needed. Kelsey Bryant, Hannah Scheele, and myself met up one day and brainstormed the idea. It was an awesome beginning to this very cool project.

How big of a Jane Austen fan are you?

I love Jane Austen, but I’m far from the biggest fan. I have only read three of her books (though I love the long movies) and there are a couple of her stories I don’t care for. However, She has a talent for crafting characters in all her books that blows me away at times.

Is there a reason you choose Emma to translate into the 1930s?

Firstly, this is my favorite Jane Austen novel. It has so many awesome elements in it, my favorite being Mr. Knightly and Emma’s relationship. They are best of friend that both encourage and scold each other. It is so lifelike and enjoyable.

How well do you think Emma translates to the Great Depression?

I honestly felt like my job was easy. In the original story has some people who are struggling financially. The characters and struggles ended up flowing easily into the time period.  About the hardest thing was finding replacements for the balls, as dances were not the same.

What kind of research did you do to prepare yourself?

I read quite a few books on and written during the 1930’s. My favorite resource were books by Grace Livingston Hill. She wrote during this time and captured the emotions, culture, and feel of the time that you can’t find in a textbook. She also gave me great insights into the Christians of the time as well.

Did you stick pretty closely to the source material, or did you find ways to deviate and/or add new scenes?

I added my own touches and twists to be sure, but I tried to stick close to the original story. After all, I wouldn’t want to mess up Jane Austen.

What did you find most challenging about this project?

It was my first time coordinating with others in my writing. Everyone involved has been amazing, but I have learned a lot and some aspects were challenging.

What other books do you have on the market?

Emmeline is one of ten books I have on the market. I have an book sent during the revolutionary war, two in an FBI series, four in a Medieval series, and a sci-fi trilogy. I also have several short stories.

A big thanks to Sarah for joining me today and for coming up with this project in the first place! If you would like to learn more about Sarah’s work, visit her website: www.thedestinyofone.com or check out the rest of the books in the Vintage Jane Austen series at vintagejaneausten.com.

Next week I will have author Kelsey Bryant with me to talk about transforming Sense and Sensibility.

The Vintage Jane Austen Series – Now Available!

What if the Elliot Family, of Persuasion, was facing financial ruin because of Black Tuesday?

What if Fanny Price, of Mansfield Park, found herself caught up in the modern values of post-war America?

What if the Dashwood Sisters, of Sense and Sensibility, were struggling to build their new life in Depression Era Ohio?

I’ve always found that a story idea begins with a question. So, when I was approached with the question, “What if Jane Austen was writing in 1930s America?” I couldn’t help but explore the idea. That question alone, however, was not what made me jump at the chance to be part of The Vintage Jane Austen Series. It was the chance for collaboration! Each of the five books in the series is authored by a different Austen fan who put her own spin on this new translation. I just thought it was such a unique idea. It took a lot longer than we originally planned (2 years), but the many live chats, encouraging messages, and creative suggestions we all shared has really made this project worth it. Over the next few weeks I will be having each author on here to talk about her spin on an Austen classic, but first, check out the lineup.

Emmeline3d-800x944

Emmeline (Emma) by Sarah Holman
The talk of stock market crashes and depression isn’t going to keep Emmeline Wellington down. Born to wealth and privilege, Emmeline wants nothing more than to help her new friend, Catarina, find a husband…Read More

 

 

Suite and Sutability-800x944

Suit and Suitability (Sense and Sensibility) by Kelsey Bryant
Canton, Ohio, 1935. Ellen and Marion Dashiell’s world crumbles when their father is sent to prison. Forced to relocate to a small town, what is left of their family faces a new reality where survival overshadows dreams…Read More

 

Bellevere3Dnew-800x944

Bellevere House (Mansfield Part) by Sarah Scheele
It’s March, 1937 . . .And Faye Powell couldn’t be happier. After moving to live with her uncle, a wealthy banker, she’s fallen into the swing of life with his exuberant children—including Ed…Read More

 

 

perception3d-800x944

Perception (Persuasion) by Emily Ann Benedict
Upstate New York, 1930. Thirteen years ago, Abbey Evans was persuaded to break off her engagement to a penniless soldier headed to the front lines of the Great War. A daughter of one of America’s wealthiest families could never be allowed to marry so far beneath herself. But Black Tuesday changed everything…Read More

 

P&P-800x944

Presumption and Partiality (Pride and Prejudice) by Rebekah Jones
Coming soon!

 

 

 

Now available in Kindle and coming soon in paperback! Visit The Vintage Jane Austen for more information and check back here weekly to hear from the writers and designers involved.